J-P Gonçalves de Lima, 11th, 12th, 13th July 2013 from "82 Portraits and 1 Still Life"
2013

Portraits in charcoal

As Hockney continues to recover in health, he invites close friends and relatives to sit for him in his Bridlington bedroom. In this focused period of drawing with charcoal on paper, he creates touchingly detailed portraits of those near to him.

Richard Marriott, 3-4 March
Sally Marriott, 5, 7 & 11 March
Jean-Pierre Gonçalves de Lima, 25 January
John Hockney, 13-14 February
Margaret Hockney, 14 February
Dominic Elliott, 30-31 January
Richard Todd, 29 January
Robbie Stark, 27 January
Mark Shephard, 28 February
Maurice Payne, 16 April
Hockney drawing The Arrival of Spring in 2013 (twenty thirteen), Photo by J-P Gonçalves de Lima

The Arrival of Spring in 2013 (twenty thirteen)

In late January he ventures out to draw the landscape. After he has made several pictures, he decides that he will stay in England to chronicle The Arrival of Spring in 2013 (twenty thirteen). In May he finishes the 25-part work, remarkable for the use of charcoal alone to capture the changing seasons.

The Arrival of Spring in 2013 (twenty thirteen), 2013

The Chinese say black and white contains color, and so it can. There are five separate views of Woldgate, and with each one I had to wait for the changes to happen. Some were too close to the previous ones and I realized I was being impatient. I had to wait for a bigger change.

Woldgate, 6-7 February from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 6 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 12-13 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 20-21 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 27 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 16 and 26 March from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 3 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 9 and 12 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 17 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 21-22 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 6-7 February from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 30 April, 1 and 5 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 8 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 15-16 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 26 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 22-23 January from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 3 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 10-11 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 18-19 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 26 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 25-27 February from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 6-7 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 11-12 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 16 May from "The Arrival of Spring in 2013 (twenty thirteen)"
Woldgate, 25 May from "The Arrival of Spring in 2013 (twenty thirteen)"

Painting portraits in Hollywood

J-P Gonçalves de Lima, 11th, 12th, 13th July 2013 from "82 Portraits and 1 Still Life", 2013

That summer, back in the Hollywood Hills, Hockney returns to a colorful palette and begins painting portraits of friends sitting in the same chair in front of a blue background—its hue recalls his first acrylic paintings in California in the 1960s. The first pays tribute to Vincent van Gogh’s Sorrowing Old Man (“At Eternity’s Gate”) (1890), with Jean-Pierre Gonçalves de Lima posing as that painting’s lone figure, who sits holding his head in his hands. [NESTED]After Hockney has painted three or four portraits, he decides to do an extended series. 

I didn’t plan them really. I mean I did once I’d got three done, three or four, but they just grew and that’s what happens to me sometimes.

I didn’t plan them really. I mean I did once I’d got three done, three or four, but they just grew and that’s what happens to me sometimes.

J-P Gonçalves de Lima, 11th, 12th, 13th July 2013 from "82 Portraits and 1 Still Life"
Bing McGilvray, 23rd, 24th, 25th August 2013 from "82 Portraits and 1 Still Life"
Richard Sassin, 9th, 10th, 11th September 2013 from "82 Portraits and 1 Still Life"
Douglas Roberts, 17th, 18th, 19th September 2013 from "82 Portraits and 1 Still Life"
Greg Rose, 20th, 21st, 22nd September 2013 from "82 Portraits and 1 Still Life"
Larry Gagosian, 28th, 29th September 2013 from "82 Portraits and 1 Still Life"
Jonathan Mills, 1st, 2nd, 3rd October 2013 from "82 Portraits and 1 Still Life"
George Snyder, 7th, 8th October 2013 from "82 Portraits and 1 Still Life"
Joan Agajanian Quinn, 16th, 17th, 18th October 2013 from "82 Portraits and 1 Still Life"
Kevin Druez, 28th, 29th, 30th October 2013 from "82 Portraits and 1 Still Life"
Chloe McHugh, 9th, 10th, 11th November 2013 from "82 Portraits and 1 Still Life"
Dr. Leon Banks, 12th, 13th, 15th November 2013 from "82 Portraits and 1 Still Life"
David Stoltz, 16th, 17th, 19th November 2013 from "82 Portraits and 1 Still Life"
Oliver Goulds, 25th, 26th, 27th November 2013 from "82 Portraits and 1 Still Life"
Gregory Evans, 1st, 2nd, 3rd December 2013 from "82 Portraits and 1 Still Life"
Martin Gayford, 4th, 5th, 6th December 2013 from "82 Portraits and 1 Still Life"
Benedikt Taschen, 9th, 10th, 11th December 2013 from "82 Portraits and 1 Still Life"
John Baldessari, 13th, 16th December 2013 from "82 Portraits and 1 Still Life"
Bing McGilvray, 21st, 22nd, 23rd December 2013 from "82 Portraits and 1 Still Life"

A Bigger Exhibition

An enormous solo show opens at the de Young in San Francisco in October. It is hugely popular with visitors and a critical success. Roberta Smith writes in the New York Times: “At 76, David Hockney is in one of his primes, and apparently he knows it. Not for nothing is his exuberant, immersive survey at the de Young Museum here cheekily titled David Hockney: A Bigger Exhibition. This sprawling romp through more than 300 works in several mediums and technologies fills 10 often large galleries and yet primarily covers work from the last decade of Mr. Hockney’s 60-year career. It is dominated by radiant landscapes—some the size of murals—of the fields and woods in different seasons of East Yorkshire .... With an emphasis on bucolic farmland that seems very British, they nonetheless convey the grandeur of nature, still the mother of us all, and of all art. And they also confirm Mr. Hockney’s theory that representational painting can tell you more about reality and perception than either photography or the human eye, which is one reason it can still thrill.”

"David Hockney: A Bigger Exhibition" at the de Young
"David Hockney: A Bigger Exhibition" at the de Young
"David Hockney: A Bigger Exhibition" at the de Young
"David Hockney: A Bigger Exhibition" at the de Young
"David Hockney: A Bigger Exhibition" at the de Young
"David Hockney: A Bigger Exhibition" at the de Young

Exhibitions

Solo

  • Drawing in a Printing Machine, Galerie Lelong, Paris (Jan 17–Mar 2).
  • The Jugglers, Whitney Museum of American Art, New York (May 23–Sep 1).
  • David Hockney: Bigger Trees near Warter, National Museum of Modern and Contemporary Art, Seoul (Sep 3, 2013–Feb 28, 2014).
  • Early Reflections, Walker Art Gallery, Liverpool (Oct 11, 2013–Mar 16, 2014).
  • David Hockney: A Bigger Exhibition, de Young, San Francisco (Oct 26, 2013–Jan 20, 2014); catalogue with texts by Richard Benefield, David Hockney, Sarah Howgate, and Lawrence Weschler.
  • Seven Yorkshire Landscapes, 2011, Los Angeles County Museum of Art (Nov 3, 2013–Jan 26, 2014).
  • The Thrill Is Spatial, Richard Gray Gallery, Chicago (Nov 21, 2013–Jan 11, 2014); catalogue.

Group

  • The Polaroid Years: Instant Photography and Experimentation, Frances Lehman Loeb Art Center, Vassar College (Apr 12–Jun 30); travels to Mary and Leigh Block Museum of Art, Northwestern University; catalogue.
  • Moving: Norman Foster on Art, Carré d’Art – Musée d’art contemporain, Nîmes (May 3–Sep 15); catalogue.
  • Resonating Images II, 1950-Now, The William Rolland Gallery of Fine Art, California Lutheran University, Thousand Oaks, CA (Jun 7–Nov 7, 2013); catalogue.
  • Lithographs as Contemporary Prints: 25th Exhibition of Prints from the Tyler Graphics Archive Collection, Center for Contemporary Graphic Art, Tokyo (Jun 15–Sep 8).
  • Menagerie–An Animal Show from the Würth Collection, Kunsthalle Würth, Schwäbisch Hall, Germany (Jun 17, 2013–May 11, 2014); catalogue.
  • Composite Landscapes: Photomontage and Landscape Architecture, Isabella Stewart Gardner Museum, Boston (Jun 26–Sep 2); catalogue.
  • Mayor Thames Festival: Artists of the River Pageant, Pump House Gallery, London (Sep 4–Sep 15).
  • Xeroxgraphy, Firstsite, Colchester, U.K. (Sep 8–Nov 10).
  • When Britain Went Pop—British Pop Art: The Early Years, Christie’s, London (Oct 9–Nov 23); catalogue.
  • Davant l’horitzó, Fundació Joan Miró, Barcelona (Oct 24, 2013–Feb 16, 2014); catalogue.
  • Pop Art to Britart: Modern Masters from the David Ross Collection, Djanogly Art Gallery, Lakeside Arts Centre, Nottingham, U.K. (Nov 23, 2013–Feb 9, 2014); catalogue.