Inside It Opens Up As Well
2018

Focus Moving

The retrospective at the Metropolitan Museum of Art closes in February as Hockney is finalizing the checklist for an exhibition of new paintings at Pace in New York. He completes another hexagonal canvas in acrylic, Focus Moving, and a portrait of Dr. James D. Watson in charcoal on canvas.

Focus Moving, 2018
Dr. James D. Watson, 10 and 11 February 2018, 2018

Inside It Opens Up As Well

Hockney is determined to do another mural-size 3D photographic drawing before the Pace show opens in April. In a conversation with Lawrence Weschler, who is writing the essay for the Pace catalogue, Hockney relates: “The folks in New York are telling me we don’t have any more time; we have to wrap things up. But there’s always time. You watch. There will be time.” True to form, Hockney completes Inside It Opens Up As Well, again at 9 1/8 feet high by almost 25 feet wide.

Inside It Opens Up As Well, 2018

LACMA exhibition

In April, 82 Portraits and 1 Still-life makes its U.S. debut and fifth exhibition stop at the Los Angeles County Museum of Art. Curator Stephanie Barron adds a gallery of recent work that includes the most recent charcoal on canvas portraits and a mural-size 3D photographic drawing, In the Studio, December 2017.

Trollies, Stools, and more

At the same time that Hockney turns his efforts in the studio to painting small canvases, he is still exploring the possibilities of 3D photography and ways to use it in making pictures. He is introduced to a new software for compositing and modelling thousands of photographs into a single picture. While he continues to use photogrammetry software for capturing 360-degree views of the individual objects, the new software allows Hockney to place each object in the 3D photographic drawing and work with it in both plan and elevation. He is able to light the objects, paint in shadows, change colors, and move the objects in space, without using Photoshop. He then prints Seven Trollies, Six and Half Stools, Six Portraits, Eleven Paintings, and Two Curtains and Focus Moving in various sizes.

Focus Moving, 2018
Seven Trollies, Six and a Half Stools, Six Portraits, Eleven Paintings, and Two Curtains, 2018

RA's Summer Exhibition

For the Royal Academy’s 250th Summer Exhibition, Hockney shows a two-panel version of Focus Moving and mural-size, seven-panel prints of both Seven Trollies, Six and Half Stools, Six Portraits, Eleven Paintings, and Two Curtains and Inside It Opens Up As Well.

The Queen's Window

In October Hockney attends the unveiling of the Queen’s Window at [NESTED]Westminster Abbey. At more than 20 feet high, it replaces one of the last clear glass windows in the 11th century building.

It had to be celebratory, really, so I thought, well, the most celebratory moment in the English landscape is the hawthorn blossom coming out—it looks as though there’s been champagne poured over everything.

It had to be celebratory, really, so I thought, well, the most celebratory moment in the English landscape is the hawthorn blossom coming out—it looks as though there’s been champagne poured over everything.

In 2016 the Abbey commissioned Hockney to design the window to celebrate Queen Elizabeth II’s reign as the longest of any monarch in British history. From the outset, Hockney used his iPad to make the drawings; he found that the luminosity of the image, with light coming from behind the screen, closely resembled stained glass. Hockney adjusted the design using Photoshop on a computer and printed scaled maquettes for consideration from the walls of his Los Angeles studio. Ultimately, he digitally [NESTED]transmitted his design to Barley Studio in York, England, where it was realized in stained glass.

The iPad is back-lit like a window, it’s a natural thing to use.

The iPad is back-lit like a window, it’s a natural thing to use.

Exhibitions

Solo

  • David Hockney: Print Room II, RedHouse Originals Gallery, Harrogate, U.K. (Mar 9–Apr 7).
  • David Hockney: iPhone and iPad Drawings, 2009-12, L.A. Louver, Venice, CA (Mar 28–May 12).
  • Something New in Painting (and Photography) [and even Printing], Pace, New York (Apr 5–May 12); catalogue.
  • David Hockney RA: 82 Portraits and 1 Still-life, Los Angeles County Museum of Art, Los Angeles (Apr 15–Jul 29); catalogue.
  • David Hockney, Pictures of Daily Life, Galerie Lelong, Paris (May 26–Jul 13); catalogue.
  • David Hockney, Selected Portraits 1976–1995, Gemini G.E.L., Los Angeles (Jul 12–Aug 17).
  • David Hockney: iPhone and iPad drawings 2009–2012, Annely Juda Fine Art, London (Jul 16–Aug 31).
  • David Hockney, People and Places, Kunsthalle Helsinki, Finland (Aug 18–Nov 18).
  • David Hockney: Time and More, Space and More..., Richard Gray Galley, Chicago (Sep 13-Nov 21).

Group

  • Bombhead, Vancouver Art Gallery, Canada (Mar 3–Jun 17).
  • The Polaroid Project, Museum für Kunst und Gewerbe Hamburg, Germany (Mar 16–Jun 17).
  • Forest Fascination, Museo Würth La Rioja, Spain (Apr 20–28).
  • Paradise is Now: Palm Trees in Art, Robert Grunenberg Berlin (Apr 26–Jun 30).
  • Roy Lichtenstein & Company: Post-War and Contemporary Art, Graves International Art, Charlottesville, VA (Apr–Oct).
  • 20th cent. Figurative Art–Arts Council Collection, Young Gallery, Salisbury, U.K. (Jun 9–Aug 25).
  • Summer Exhibition, Royal Academy of Arts, London (Jun 12–Aug 19).
  • The Great Spectacle, 250 Years of the Summer Exhibition, Royal Academy of Arts, London (Jun 12–Aug 19).
  • Which Way North, Great North Museum, Newcastle upon Tyne, U.K. (Jun 22–Sep 9).
  • Modern British and American Pop, The Soden Collection, Shrewsbury, U.K. (Jun 29–Aug).
  • Of Yorkshire, From Yorkshire, Ryedale Folk Museum, York, U.K. (Jul 21–Sep 16).
  • Sights & Sounds: Art, Nature, and the Senses, Toledo Museum of Art, Toledo, OH (Jul 21, 2018–Feb 24, 2019).
  • Alice Schwab Collection, Blue House Gallery, Schull, Ireland (Aug 17–31).
  • Dread and Delight: Fairy Tales in an Anxious World, Weatherspoon Art Museum, Greensboro, NC (Aug 25–Dec 9); travels to Faulconer Gallery, Grinnell College, Iowa (Feb 2–Apr 28, 2019); Akron Art Museum (Jun 29–Oct 12, 2019).
  • The Artist’s Garden, Diss Corn Hall, Norfolk, U.K. (Sep 7–Oct 13)
  • Kenneth Tyler: The Art of Collaboration, Herron School of Art and Design, Indianapolis, IN (Sep 19–Nov 10).
  • Images of Egypt, Museum of Cultural History, University of Oslo, Norway (Sep 20–Dec 20).
  • A Curator's View: Ian Thom Selects, Vancouver Art Gallery, Vancouver, Canada (Sep 22, 2018–Mar 17, 2019).
  • Desire, Love, Identify: Exploring LGBTQ Histories, Ashmolean Museum, Oxford, U.K. (Sep 25–Dec 2); organized by the British Museum; travels to National Justice Museum, Nottingham (Dec 14, 2018–Mar 3, 2019); Bolton Library & Museum Service (Mar 14–May 26, 2019); Norwich Millennium Library (Jun 8–Aug 31, 2019).
  • 20 Sonoma Collectors: Celebrating SVMA’s 20th Year, Sonoma Valley Museum of Art, Sonoma, CA (Sep 29, 2018–Jan 6, 2019).
  • Exposed: The Naked Portrait, Laing Art Gallery, Newcastle upon Tyne, U.K. (Oct 27, 2018–Mar 3, 2019); organized with the National Portrait Gallery.

Honors

Honors

  • Lifetime of Artistic Excellence Award, The Black Alumni of Pratt, Pratt Institute.
  • Distinguished Service to Art, The Critics' Circle, London.
  • Lifetime Achievement Award for Printmaking, Her Majesty Queen Sonja Art Foundation, Norway.